Oron Catts, Neolifism. Life as an instrument, 2 décembre, 11h-13h, 3 rue d’Ulm

Bonjour à tous,

 Nous avons le plaisir de vous inviter à la prochaine séance du séminaire « Anthropologie de la vie et des représentations du vivant » (https://domesticationetfabricationduvivant.wordpress.com/2014/11/02/seminaire-anthropologie-de-la-vie-et-des-representations-du-vivant/)

le 2 décembre, de 11h à 13h, 3 rue d’Ulm, rez-de-chaussée.

Oron Catts, Symbiotica (U. Western Australia)

Neolifism. Life as an instrument

Vous êtes les bienvenus.

Bien à vous.

Perig Pitrou et Dimitri Karadimas

Présentation sur le site du laboratoire Symbiotica

http://www.symbiotica.uwa.edu.au/residents/catts

Oron Catts is an artist, researcher and curator whose pioneering work with the Tissue Culture and Art Project which he established in 1996 is considered a leading biological art project. In 2000 he co-founded SymbioticA, an artistic research centre housed within the School of Anatomy, Physiology and Human Biology, The University of Western Australia. Under Catts’ leadership SymbioticA has gone on to win the Prix Ars Electronica Golden Nica in Hybrid Art (2007) the WA Premier Science Award  (2008) and became a Centre for Excellence in 2008. In 2009 Catts was recognised by Thames & Hudson’s “60 Innovators Shaping our Creative Future” book in the category “Beyond Design”, and by Icon Magazine (UK) as one of the top 20 Designers, “making the future and transforming the way we work”.

Catts interest is Life; more specifically the shifting relations and perceptions of life in the light of new knowledge and it applications. Often working in collaboration with other artists (mainly Dr. Ionat Zurr) and scientists, Catts have developed a body of work that speak volumes about the need for new cultural articulation of evolving concepts of life. Catts was a Research Fellow in Harvard Medical School, a visiting Scholar at the Department of Art and Art History, Stanford University, and a Visiting Professor of Design Interaction, Royal College of Arts, London. Catts’ ideas and projects reach beyond the confines of art; his work is often cited as inspiration to diverse areas such as new materials, textiles, design, architecture, ethics, fiction, and food.

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